
Timeline
About me
The Promoter The Online Intertainment Series
Education

Harris institute for the arts
1992 - 1994Diploma production and audio engineeringFrom there worked as a Music Supervisor for WBTV, Rysher Entertaiment, Fox, ESPN, Fireworks Entertainment and Tribune Entertainment.

Seneca college of applied arts and technology
1989 - 1991Diploma lab techActivities and Societies: Seneca Radio DJ. Chemical Tech Program.
Experience

Crazyhead productions incorporated
Jan 1984 - Jan 2015Owner and Creator
Jan 1984 - Jan 2015Owner and Creator
Jan 1984 - Jan 2015Owner and Creator
Jan 1984 - Jan 2015Owner and Creator
Jan 1984 - Jan 2015Owner and Creator
Jan 1984 - Jan 2015

Crazyhead studio
Apr 1993 - Oct 1999Studio ownerA project studio. Where I recorded a number of acts. Live of the floor recordings to DAT. 16 track recording. Rehearsal space. Acts rehearsed and/or recorded: Merrill Nisker before she became Peaches; Fancy Pants Hoodlum Hayden, Juke Joint, You are Here, Strange Angels, Mc Lush, Mc Busta Boogie, Bumpy Love, Elizabeth Merriman, 'Nervous Rex', Elle, Corky and Juice Pigs, Patra, Duotang, Big Sugar, Punjabi By Nature, Kevin Hearn (Barenaked Ladies), Members of Deja Voodoo, Whatever, Guh, Plunger, The Resinators, Caddy Cadd, Bernie Pitters, Terry Cowe, Dr. Bike, too many to mention. Show less

Cpi
Jan 1997 - nowMusic supervision, licensing and clearancesLicenses and clearances. Finding new ways to procure licenses. Researching each request and making solid decisions on whether or not the license(s) should be attained. Coupling my knowledge of negotiations and contracts with real world experiences. Working closely with Warners, Fox and other Major networks. Working closely with independent bands to ensure they are being treated fairly and properly, during the licensing process. Music Supervisor duties: Working with the composer assuring "licensed music" is cleared on time and within budget. Working closely with the producers, executives and sometimes networks. Able to work within locked picture, music editing, music creation and "music threading". Show less

Warner bros. television
Mar 1997 - Dec 2001Music supervisor for "la femme nikita" (the orginal series)La Femme Nikita, was a series that still means a lot to television as we know it today. The female heroine, her strength, her beauty and her innocence and intelligence. Unknown to her "selected" for an underground operation, called Section one. Her non-understanding of why slowly unravells throughout it's five year run. Michael, (Roy Dupuis) depicted as the most awesome man alive, becomes her trainer. A man, every guy would love to be for at least a minute.This show was my first. It had everything and the music was just part of it. But it did play an important role, of deceit, love, danger, disillusionment, strength, power the list goes on and on. It was a distance travelled musically for me. "La Femme Nikita" was a journey... of complete discovery. Show less

Usa networks
Mar 2001 - Feb 2002Music supervisor for "mutant x" (television series)Licensed music. But this time fell into a different dilemma.... To create music for the show. I found a group of young composers. And asked them to replace my original selected music, because of budget constraints. I wanted to develop more of the characters personal afflictions with their new found powers. Imagine, being human and being given great power and be a termed a 'freak' to use it. So Mutant X was born, and needed a leader-mentor (John Shea) to help them use their powers for good.It worked out perfectly, all the action sequences, sounded great, the licensed music rocked. The main title was powerful and demonstrated how much fun this series was going to be. Show less

Fox broadcasting
Sept 2001 - Sept 2003Music supervisor for "24" (tv series)Licensed music that accurately described what teenagers would be listening to. Rather than what was "Top ten" at the time. It was a show based "within" realtime, Each episode was an hour within "that" particular day. Every location, provided a new an exciting opportunity musically. "24" demonstrated the "infinite" possibilities of music in a dramatic television series.The music played the current danger the young adults found themselves in. Every "composition" synchronized the ramifications of their actions. Like each script, There was an underlying message.... What the potential candidate for Presidency of the US wanted for the United States, and what CTU was willing to do to stop the threat of his assassination. I personally think it is and was, one of the greatest shows ever created for television. The beauty of simplicity. Show less

Espn
May 2003 - Aug 2003Music supervisor for "playmakers" television seriesI was the music supervisor. I licensed, Canadian Hip-Hop, American Hip Hop. Canadian rock indie bands, classical music to demonstrate the finesse of football. ESPN was great to work for on my end. And oh yeah, I worked Saturdays too, because I believed in what we as a crew were trying to create in Canada. A series based on the reality of sports and the reality of their daily lives. Another great show, I was proud to be part of.

University of toronto
Jan 2012 - Jan 2013Computer installer, misI "increase productivity" in the form of new and updated programs on computer systems, for U of T employees. Also, troubleshoot any computer related issues along with physically installing new machines.

The post music group
Apr 2014 - nowOwner/presidentMusic Licensing Label.
Licenses & Certifications

Production and engineering certificate.
Harris institute for the arts.Jan 1992
Honors & Awards
- Awarded to Blaine JohnsonI received a "individuals with an extraordinary ability in the arts" Visa for my work on '24' U.S Government (Immigration) May 2001 I was asked to join the team at "Fox" to supervise the music for '24'. I did, and the rest is actually T.V history.
Volunteer Experience
Computer Instructor
Issued by Bang the Drum on Feb 2008
Associated with Blaine Johnson
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