
Matthew McKay
Freelance 3d/Multimedia Lecturer

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About me
Senior Lighting Technical Director at Industrial Light & Magic
Education

Computer Graphics College
2001 - 2003Diploma
University of Western Sydney
1992 - 1994
Experience

SAE Institute
Dec 2001 - Aug 2004Freelance 3d/Multimedia LecturerBefore I had completed my course I was offered a position as a lecturer for the Multimedia and 3D diploma course at the Computer Graphics College in Sydney. Working to an existing course outline I was responsible for delivering course content and maintaining student handouts.

Love Monkey Media
Jan 2002 - Apr 2013Lead 3D /Generalist TD / Partner
SAE Institute Ljubljana
Aug 2004 - Apr 2005Media Co-ordinatorResponsible for creating and maintaining the Multimedia and 3D diploma course in Ljubljana Slovenia EU and lecturing at the Sydney campus. Responsible for creation and delivery of course content, lecture notes and student handouts. Managing guest Speakers and specialist Lecturers. Creation of marketing material.

Virtual Vision
Jul 2005 - Sept 20053D AnimatorHigh end architectural images and animations

Zspace
Sept 2005 - Nov 20053d AnimatorSkating on Thin Ice, Hi 5 Opening Titles and Word plays

Kapow Pictures
Nov 2005 - Feb 20063D AnimatorCasper Scare Schools Movie Texturing,lighting and Modeling.

The Lab Sydney
Feb 2006 - Jun 20063d animatorUnderstanding Money, Upside Down Show, Earky Perky Promo, Comping Erky Perky

Zspace
Jun 2006 - Jul 2006Freelance 3D AnimatorHi 5 opening titles, Discovery channel

Promotion Studios
Aug 2006 - Aug 2006Freelance 3D AnimatorOpening graphics for the Asian Games

Fuel
Aug 2006 - Sept 2006Freelance 3D AnimatorTiger Beer Commercial

Emerald City
Sept 2006 - Nov 2006Freelance 3D ArtistVoda Phone, Visa Debit, Wutaxi

MonkeyLab
Jan 2007 - Feb 2007Freelance AnimatorCharacter Animator - Coke

Bruce Dunlop
Feb 2007 - May 2007Freelance 3D AnimatorSonySky Sports

Post Modern Sydney
Jun 2007 - Jul 20073d AnimatorOlay

Zealot Productions
Mar 2008 - Jul 20083d DesignerHole in the WallDesigned and created 3D Title sequence for TV Servies. Freemantle Media & Channel 9.Designed and created all in show elements.Font, Score Board, Bugs, ReplayWorking Solo delivered

Beyond Television Productions
Feb 2009 - May 20093D AnimatorWeaponizers3 x Pilot Episodes for Discovery ChannelDesigned and created in show graphics, 2d bugs, font and lower thrids. Working with 1 other animator.Off Site.

Cutting Edge
May 2009 - May 2009Freelance 3D Designerv8 Super Car Telstra 30 sec TVCCreated 3D content from supplied elements.

Hackett Films
Jun 2009 - Apr 2011Freelance Senior Maya TD & Motion Graphics Designer.
Resolution Design
May 2011 - Sept 2011Freelance Senior Maya TD Lighting/Generalist.
Sixty40
Aug 2012 - Feb 2013Freelance Lead 3D TD
Nine Entertainment Co.
Mar 2013 - Nov 2017Senior Maya TD - Senior 3D Artist
Seven Network
Mar 2018 - Mar 20183D Generalist3D Generalist - Promo Dept

Plastic Wax
Mar 2018 - Dec 2018Senior Lighting TD
Channel 7 Media
Mar 2019 - Mar 20193D Designer3D Generalist - Promo Dept

MPC
Apr 2019 - Dec 2019Key Lighting Artists
Stage23 Pty Limited
Feb 2020 - Jul 2020Senior Lighting Lead
Cutting Edge
Jul 2020 - Sept 2020Senior Lighting/GeneralistFreelance Project - Infiniti

Creative Cupids
Oct 2020 - Dec 2020Senior VFX Lighting
Industrial Light & Magic
Mar 2021 - nowSenior Lighting Technical DirectorLOTR Rings of Power Season 1Aquaman and the Lost Kingdom The CreatorAshoka Season 1The Boys Season 4
Licenses & Certifications
- View certificate

V-RAY 3.0 FOR MAYA
Chaos GroupSept 2016
Honors & Awards
- Awarded to Matthew McKayOutstanding Visual Effects in a Photoreal Episode Visual Effects Society Jan 2023 This award is to honor the achievement of the visual effects within a single episode of a photoreal episodic broadcast series, a mini-series or Special where the visual effects are a visible, essential, and integral part of the story and play a principal and active role in the show. A rule of thumb for defining whether a series would be considered effects-driven would be to ask if the story could be told without the active participation of extensive digital effects, Special Effects… Show more This award is to honor the achievement of the visual effects within a single episode of a photoreal episodic broadcast series, a mini-series or Special where the visual effects are a visible, essential, and integral part of the story and play a principal and active role in the show. A rule of thumb for defining whether a series would be considered effects-driven would be to ask if the story could be told without the active participation of extensive digital effects, Special Effects, effects-enhanced stunts, practical effects, or nonhuman CG characters. The general public would easily identify the VFX in effects-driven series, whether they are made for pay cable, standard cable, broadcast, or streaming. Show less
- Awarded to Matthew McKayEmmy® for Outstanding Achievement in Main Title Design the Academy of Television Arts and Sciences Jun 2007 Creative Director, Mark Bowey, won the Emmy® for Outstanding Achievement in Main Title Design with his title sequence for the Umbilical Brothers children’s programme, “The Upside Down Show” at the 34th Annual Daytime Entertainment Emmy® Awards.The Upside Down show, which features the anarchic, zany adventures of the Umbilical Brothers (David Collins and Shane Dundas) and their ‘invisible’ remote control, makes playful use of ‘lo-fi’ visual effects and in-camera trickery, based around… Show more Creative Director, Mark Bowey, won the Emmy® for Outstanding Achievement in Main Title Design with his title sequence for the Umbilical Brothers children’s programme, “The Upside Down Show” at the 34th Annual Daytime Entertainment Emmy® Awards.The Upside Down show, which features the anarchic, zany adventures of the Umbilical Brothers (David Collins and Shane Dundas) and their ‘invisible’ remote control, makes playful use of ‘lo-fi’ visual effects and in-camera trickery, based around the ‘Umbies’ visual and mimed jokes.Bowey said, “For the titles I teamed up with The Umbies’ latest creation- ‘Action Fingers’, a great invention where their hands run around on ‘finger legs’, saving socks trapped in washing machines and so on. The title sequence was a very satisfying collaboration between everyone in the show.We started with the premise of featuring ‘Action Fingers’ for the titles and the boys then built a routine around my boards, which we shot in one continuous take”.In addition to the titles created by Bowey, the 3D team at The LaB sydney turned the show’s logo into 3D. In the finished sequence, the ‘Action Fingers’ dash across the screen, spinning around the logo and scattering the 3D letters which make up the titles in their wake.Bowey continued, “The Umbie’s hands were shot in an entirely green screen environment with each Umbie controlling one hand, while the camera tracks with them as they charge along the obstacle course of letters and logos.Because the hands cross each other David needed to be fully suited up in a skin-tight lycra green suit, which made an amusing sight, but got very hot for him on set. I’m delighted for all the team involved to have won a Daytime Emmy, I’m just glad I didn’t have to wear the lycra suit to the awards.”For The Lab:Mark Bowey: Title Director/DesignerPrue Fletcher: ProducerMatthew McKay: 3D TDBlink Films:Michael Bourchier, Executive Producer Show less
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