Leonard Lehrman

Leonard Lehrman

Composer

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  • Timeline

  • About me

    Founder/Director, Metropolitan Philharmonic Chorus

  • Education

    • LIU Post

      1993 - 1995
      M.S. Library and Information Science

      Activities and Societies: Editor, Newsletter Thesis on library concerts (published by Wilson Library Bulletin)also culminated in first commercial CD of any public library concert:The William Cullen Bryant Bicentennial Concert CD (1994)

    • Deutsche Ferienkurs, Salzburg, Austria

      1972 - 1972
      Certificate German

      summer course

    • Ecole Normale de Musique de Paris

      1971 - 1972
      Certificate Fugue & Composition with Nadia Boulanger

      Activities and Societies: Performed Paris premiere of Elie Siegmeister's Piano Sonata #2 at Salle Pleyel on program of French Government boursiers. on Fulbright French Government Grant

    • C.W. Post College, Brookville NY

      1970 - 1970
      Master's degree in Library & Information Science Statistics & Probability

      Activities and Societies: Performed Paris premiere of Elie Siegmeister's Piano Sonata #2 at Salle Pleyel on program of French Government grantees. summer course

    • Conservatoire Americaine, Fontainebleau, France

      1969 - 1969
      Certificate Piano, Counterpoint

      Activities and Societies: Class & private study with Nadia Boulanger & Jean-Jacques Painchaud studied piano with Jean-Jacques Painchaud, counterpoint and composition with Nadia Boulanger

    • Roslyn High School

      1963 - 1967
      Diploma Music, Languages 95.03

      Activities and Societies: Orchestra, Chorus,Chamber Music, Chess, Tennis, High School Bowl, Newspaper, Honor Society Treasurer Treasurer, Honor SocietyPiano Soloist in Chopin Concerto #1Harpischord Soloist in Bach Brandenburg #5Critic-at-Large, Hilltop BeaconChess Club, JV Tennis, French, Russian

    • Harpur College, Binghamton NY

      1965 - 1965
      No degree Performance Seminar in Chamber Music; Piano

      Activities and Societies: Guarneri Quartet; Elizabeth Korte First Performance Seminar in Chamber Music with Guarneri Quartet.Studied Mozart, Dvorak, etc. I was the youngest member.

    • Indiana University Bloomington

      1975 - 1976
      B.M. Piano & M.F.A. Conducting equivalencies Opera Conducting

      Activities and Societies: Produced premiere of TALES OF MALAMUD (IDIOTS FIRST & KARLA) at Monroe County Library, sponsored by Marc Blitzstein Opera Co. & Risley Review of Reviews Received B.M. Piano and M.M. Conducting equivalencies by audition for D.M. Opera Conducting program.

    • Cornell University

      1976 - 1977
      D.M.A. Music Composition

      Activities and Societies: Produced opera SIMA; directed HANSEL & GRETEL, KARLA, and operatic excerpts including DER ROSENKAVALIER, MARRIAGE OF FIGARO, etc. Thesis: KARLA + analysis of Leonard Bernstein's SERENADE. Taught piano on assistantship.

    • Cornell University

      1972 - 1975
      MF.A. Music Composition

      Activities and Societies: Directed & played Pangloss in CANDIDE; directed Christopher Reeve in BEDTIME STORY; translated & directed THE ROUNDHEADS & THE POINTEDHEADS (US premiere); completed & music directed TALES OF MALAMUD (preview) including completion of Blitzstein's IDIOTS FIRST + my KARLA. Thesis: Violin Concerto + analysis of IDIOTS FIRST. Obtained rights to first college production of O CALCUTTA, but production aborted for lack of a cast. Edited The Risley Review and later The Risley Review of Reviews. Received full assistantship. Taught theory & rudiments of music as Lecturer.

    • Harvard University

      1967 - 1971
      B.A. cum laude Music Composition

      Activities and Societies: Pres., Harvard-Radcliffe Music Club; Chief Producer, WHRB; Editor, Dunster Drama Review; Oboist, Harvard Wind Ensemble; Columnist, Harvard Crimson; Director at Loeb Experimental Theatre, Lowell House Music Society, Sanders Theatre; Music Director at Adams House; Pianist, Harvard G&S. Thesis: 8-song cycle, "The Bourgeois Poet," on poems by Karl Shapiro Directed productions of THE CRADLE WILL ROCK, I'VE GOT THE TUNE (Boston premiere), HARPIES (Boston premiere), TROUBLE IN TAHITI; DAYS OF THE COMMUNE (US premiere)

    • Longy School of Music

      1967 - 1970
      1 year of oboe, 3 of piano; no degree Oboe, Piano

      Activities and Societies: Oboe 1 yr; Piano 3 yrs with Kyriena Siloti 1 yr. private oboe instruction3 yrs. private piano instruction with Kyriena Siloti

    • Queensborough Community College

      1970 - 1970
      No degree German

      summer course

    • Universität Mozarteum Salzburg

      1972 - 1972
      Certificate Schubert, German Lieder

      Activities and Societies: performed Schubert's "Erlkoenig,"​ Musorgsky's "Dances of Death,"​ Bernstein's "I Hate Music," Brahms, Wolf, and original songs Accompanist in Erik Werba's class - also in Ghent, Belgium

  • Experience

    • Opera Composition

      Jan 1970 - Jan 2015
      Composer

      composing, coaching, accompanying, producing, directing

    • Cornell University

      Jul 1973 - Aug 1973
      Lecturer in Music

      Taught Rudiments of Music Theory & Appreciation

    • Metropolitan Opera Company

      Aug 1977 - Jul 1978
      Assistant Chorus Master/Assistant Conductor

      Worked on 22 operas with chorus, mostly women's chorus, and some soloists. Backstage conducted banda for LA TRAVIATA under Richard Woitach, chorus in Massenet's THAIS Mediation, Men's Chorus in DER ROSENKAVALIER, Mary Costa in LA BOHEME, Luciano Pavarotti and John Alexander in LA FAVORITA; prompted James McCracken, Bernd Weikl, et al in TANNHAEUSER. Taught chorus to sing EUGENE ONEGIN in Russian for the first time.

    • Bel Canto Opera Company

      Sept 1977 - Jan 1988
      Composer, Conductor, Russian Translator

      1/78 Cast. coached and conducted from one of 2 pianos, the NYC premiere of TALES OF MALAMUD (IDIOTS FIRST, begun by Marc Blitzstein, completed by me; and KARLA, my own opera - both based on stories by Bernard Malamud)4/79 Translated Glinka's A LIFE FOR THE CZAR for US premiere in English1/88 Wrote new translation of and directed Chabrier's ETOILE

    • Heidelberg Stadtische Buehne

      May 1979 - Jan 1980
      Solo- und Ballettrepetitor und Komponist

      Chordirektor for Summer Festival production of THE STUDENT PRINCE, ballet repetitor for Johannes Kresnik; occasional solo accompaniment for opera rehearsals.Also worked for the U.S. Army in Heidelberg in Statistics, K.P., pre-school substitute teaching, and offering courses at the University of Maryland there.

    • Augsburg Staedtische Buehne

      Jan 1980 - Jul 1980
      Solorepetitor

      Accompanied rehearsals and performances of Puccini's IL TABARRO, Burt's BARNSTABLE, Mozart's MARRIAGE OF FIGARO, Strauss's SALOME, and concert of my own music, including Flute Sonata and excerpts from IDIOTS FIRST, KARLA and SIMA with Elizabeth Parcells and others.

    • Basler Theater

      Jul 1980 - Jun 1981
      Solorepetitor mit Dirigierverpflichtung

      Coached singers in LA BOHEME (also played Drum Major onstage), WERTHER, BORIS GODUNOV (also conducted trumpets backstage), IM WEISSEN ROESSL, and accompanied singers and flutist Raymond Meylan in concert of own music. Also gave lecture on Jewish Music at Bnai Brith Loge there.

    • Schauspielhaus Wien

      Jun 1981 - Aug 1981
      Musical Coordinator, EIN WALZERTRAUM

      Coached, rehearsed, and conducted orchestra and cast in new adaptation of Straus operetta. Also gave lecture on Jewish Music at Bnai Brith Loge there and later accompanied concertwith Walter & Helga Fink.

    • Stadttheater Bremerhaven

      Aug 1981 - Jun 1983
      Solorepetitor und Kapellmeister

      Conducted ZAR UND ZIMMERMANN (rhrsl), and performances of MASKE IN BLAU, OKLAHOMA!, MUTTER COURAGE. Coached & accompanied DON CARLO, RUSALKA, IM WEISSEN ROESSL, DER ROSENKAVALIER, ZIGEUNERLIEBE, BLUME VON HAWAII, GLUECKLICHE REISE, etc. Also worked as substitute teacher in American School while there.

    • Theater des Westens

      Aug 1983 - May 1986
      Studienleiter (Chief Coach) & Kapellmeister (Conductor)

      Was first Jew to conduct FIDDLER ON THE ROOF in West Berlin.Also conducted MY FAIR LADY and coached other shows including MAN OF LA MANCHA and concert that included excerpts from SHOWBOAT, et al. Also served as Organist for American Hospital Catholic Services, 1984-86.

    • Juedischer Musiktheaterverein Berlin, e.V.

      Nov 1983 - May 1986
      Founder (later Ehrenkapellmeister)

      Produced 36 events including European premieres of GROWING UP WOMAN (directed by Joaquin La Habana), SIMA (in German with Christina Preussler, Katarina Richter, Robert Edwards, Elizabeth Parcells), FAMILY MAN (with George Shirley), and Mira J. Spektor's LADY OF THE CASTLE, plus numerous concerts & lectures at Juedische Gemeindehaus, Haus der Kirche, Urania, and in E. Berlin; also first 2 performances of E.G.: Scenes from the Life of Emma Goldman (with Elizabeth Parcells, Uwe Sauerwein and Frohwalte Pilz). Show less

    • Temple Beth Sholom

      Jun 1986 - Jun 1988
      Day Camp Instructor, Music Director

      Accompanied Cantor Seymour Schwartzman; conducted two concerts with him, Elaine Malbin, Tibor Kelen, and others on "Opera and the Jewish People,"​ including US premiere of my 14-movement cantata, "Jewish Voices in Germany"

    • The First Church of Christ, Scientist

      Mar 1987 - Oct 1992
      Organist

      Played Wednesday nights and Sunday mornings

    • Metropolitan Philharmonic Chorus

      Jan 1988 - now
      Founder/Director

      selecting singers and repertoire, accompanying, coaching, conducting, producing concerts and opera performances

    • Center for Contemporary Opera

      Nov 1990 - Mar 1992
      Composer, Coach, Performer

      Performed in SUPERSPY!: The S-e-c-r-e-t Musical Nov. 17-18, 1990 at Turtle Bay Music School. Cast and coached orchestral premiere of TALES OF MALAMUD Mar. 19 & 21, 1992 at NYU. Both under the auspices of the Center for Contemporary Opera.

    • After Dinner Opera Company

      Nov 1990 - Dec 2014
      Guest Conductor/Composer

      11/90 Abridged, coached and conducted Virgil Thomson's LORD BYRON10/91 Accompanied "Memories & Music of Leonard Bernstein"​ and condcuted own opera with Joel Shatzky - NEW WORLD: An OPERA ABOUT WHAT COLUMBUS DID TO THE "INDIANS"12/14 Conducted from the piano own opoera with Orel Protopopescu - HANNAH(at Malverne Community Presbyterian Church 12/9/14 & HUC-JIR 12/23/14)

    • Opera Monthly

      Jan 1991 - Jan 1994
      Associate Editor

      Wrote 20 articles on operas by Siegmeister, Bolcom, Russians, Germans, etc.

    • Malverne Community Presbyterian Church

      Nov 1992 - Jun 2003
      Music Director

      As organist/choir director I produced 4 concerts at the church, involving the Long Island Composers Alliance, of which I was then President. They included my REQUIEM FOR HIROSHIMA in 1995.On Dec. 9, 2014, the church hosted the US premiere of my opera HANNAH. See http://ljlehrman.artists-in-residence.com/Hannah.html

    • Oyster Bay-East Norwich Public Library

      Mar 1995 - now
      Reference Librarian

      I am still there. I helped catalog the Theodore Roosevelt Connection, helped choose the piano donated by Billy Joel, and regularly answer reference questions, as well as helping to weed Non-Fiction.

    • Aufbau Verlag GmbH & Co. KG

      Jun 1995 - Nov 2002
      Critic

      Wrote 112 articles, all posted on website.

    • North Shore Synagogue

      Aug 1995 - Jun 2001
      Music Director

      Accompanied services, rehearsed and conducted choir, performed at concerts, including preview of my opera SUPPOSE A WEDDING, was Composer-in-Residence 1996-97.

    • Opera Today - publication of the Center for Contemporary Opera

      Jan 1999 - Jan 2002
      Editor

      Wrote and edited articles for several issues, interviewing Gian-Carlo Menotti, Victoria Bond, et al.

    • White Barn Theatre Foundation

      Jan 2001 - Jan 2001
      Visiting Composer, Coach, Accompanist, Directorial Consultant

      As completor/co-composer of SACCO AND VANZETTI, begun but left unfinished by Marc Blitzstein, I cast, coached, and conducted the opera from the piano. I also staged all but one scene, choreographed by the official Director, Donald Saddler, and worked out the lighting with the Lighting Director. I also put together a symposium on the work with Joan Peyser, Brenda Lewis, Robert Palmer and Anton Coppola.

    • White Barn Theatre Foundation

      Feb 2001 - Aug 2001
      Composer/Conductor, SACCO AND VANZETTI

      Completed opera begun by Marc Blitzstein: SACCO AND VANZETTI, cast, staged, and conducted from the piano 3 performances of the work Aug. 17-19, 2001.Also led symposium on the work with Joan Peyser, Robert Palmer, Anton Coppola and Brenda Lewis, Aug. 18, 2001 All viewable at <​ljlehrman.artists-in-residence.com/SaccoAndVanzetti.html>.

    • The New Music Connoisseur

      May 2001 - now
      Critic

      42 articles to date, thru Oct. 2015; all posted, or to be posted, on websiteWas Copy Editor and "Critic-at-Large," 2006-09.

    • Christ Church Babylon

      May 2003 - Aug 2006
      Minister of Music/Composer-in-Residence

      Composed for and conducted choir from the organ, in Brahms, Thompson, and Lehrman's setting of the Universal Declaration of Human Rights, among many other works.

    • Bronx Opera Company

      Jan 2005 - Jan 2006
      French Translator

      Translated Chabrier's UNE EDUCATION MANQUEE for Jan. 2006 production.

    • St. George's Church

      Aug 2006 - Aug 2007
      Music Director/Composer-in-Residence

      Conducted senior choir, junior choir, and bell choir at services and performances including DANIEL.

    • United Methodist Church

      Dec 2007 - Jun 2010
      Music Director/Composer-in-Residence

      accompanying services on organ, conducting choir, instruments and handbells at services and concerts

    • Halifax Summer Opera Festival and Workshop

      Jan 2012 - Jan 2012
      Visiting Composer, Coach, Accompanist, Performer, Directorial Consultant

      Conducted master class and gave American Opera Recital featuring works by Blitzstein, Siegmeister, and Lehrman, with Helene Williams and students in the program. Viewable here:https://www.youtube.com/playlist?list=PLmhHI8m9j-XuGhy_V7HrrYJ5OMU39UJgTConsulted on production of Blitzstein's HARPIES.

    • Church-in-the-Garden (Baptist)

      Jan 2013 - Feb 2014
      Organist/Choir Director

      Conducted and accompanied choir and soloists on piano and organ at services & in concert. Best example: "O Holy Night"​ with organ & harp: https://youtu.be/KPTXiV0U7R8

    • Christ Lutheran Church

      Feb 2014 - now
      Organist/ChoirDirector/Composer-in-Residence

      That is still my title. I play for all services, rehearse, accompany and conduct the choir, and choose the anthems, including many of my own.

    • Metropolitan Synagogue of NY

      Aug 2014 - now
      High Holidays Organist/Choir Director

      Conduct professional octet from the organ, including own music written for this synagogue when guest conducting there in 1979.

    • Hebrew Union College-Jewish Institute of Religion

      Aug 2014 - May 2015
      Adjunct Faculty

      Taught course in Jewish Opera. After 2 lectures in Aug.,- Sep.,2014, resumed lectures (5) at Community Church of NY in Jan.- May, 2014.All are posted with links athttp://ljlehrman.artists-in-residence.com/ljlehrmanlecturevideos.html

  • Licenses & Certifications

    • Public Library

      NY State
  • Volunteer Experience

    • Council Member

      Issued by MoveOn on Jan 2011
      MoveOnAssociated with Leonard Lehrman
    • Member, Jill Stein Friend (& Chauffeur)

      Issued by Green Party, Nassau County, NY on Jan 2012
      Green Party, Nassau County, NYAssociated with Leonard Lehrman
    • President, Long Island Composers Alliance, 1991-98

      Issued by Long Island Composers Alliance, Long Island, NY on Jun 1991
      Long Island Composers Alliance, Long Island, NYAssociated with Leonard Lehrman